The Red Notebook: True Stories Page 3

  11

  * * *

  In 1990, I found myself in Paris again for a few days. One afternoon, I stopped by the office of a friend to say hello and was introduced to a Czech woman in her late forties or early fifties—an art historian who happened to be a friend of my friend. She was an attractive and vivacious person, I remember, but since she was on the point of leaving when I walked in, I spent no more than five or ten minutes in her company. As usually happens in such situations, we talked about nothing of any importance: a town we both knew in America, the subject of a book she was reading, the weather. Then we shook hands, she walked out the door, and I have never seen her again.

  After she was gone, the friend I had come to visit leaned back in her chair and said, “Do you want to hear a good story?”

  “Of course,” I said, “I’m always interested in good stories.”

  “I like my friend very much,” she continued, “so don’t get the wrong idea. I’m not trying to spread gossip about her. It’s just that I feel you have a right to know this.”

  “Are you sure?”

  “Yes, I’m sure. But you have to promise me one thing. If you ever write the story, you mustn’t use anyone’s name.”

  “I promise,” I said.

  And so my friend let me in on the secret. From start to finish, it couldn’t have taken her more than three minutes to tell the story I am about to tell now.

  The woman I had just met was born in Prague during the war. When she was still a baby, her father was captured, impressed into the German army, and shipped off to the Russian front. She and her mother never heard from him again. They received no letters, no news to tell them if he was alive or dead, nothing. The war just swallowed him up, and he vanished without a trace.

  Years passed. The girl grew up. She completed her studies at the university and became a professor of art history. According to my friend, she ran into trouble with the government during the Soviet crackdown in the late sixties, but exactly what kind of trouble was never made clear to me. Given the stories I know about what happened to other people during that time, it is not very difficult to guess.

  At some point, she was allowed to begin teaching again. In one of her classes, there was an exchange student from East Germany. She and this young man fell in love, and eventually they were married.

  Not long after the wedding, a telegram arrived announcing the death of her husband’s father. The next day, she and her husband traveled to East Germany to attend the funeral. Once there, in whatever town or city it was, she learned that her now dead father-in-law had been born in Czechoslovakia. During the war he had been captured by the Nazis, impressed into the German army, and shipped off to the Russian front. By some miracle, he had managed to survive. Instead of returning to Czechoslovakia after the war, however, he had settled in Germany under a new name, had married a German woman, and had lived there with his new family until the day of his death. The war had given him a chance to start all over again, and it seems that he had never looked back.

  When my friend’s friend asked what this man’s name had been in Czechoslovakia, she understood that he was her father.

  Which meant, of course, that insofar as her husband’s father was the same man, the man she had married was also her brother.

  12

  * * *

  One afternoon many years ago, my father’s car stalled at a red light. A terrible storm was raging, and at the exact moment his engine went dead, lightning struck a large tree by the side of the road. The trunk of the tree split in two, and as my father struggled to get the car started again (unaware that the upper half of the tree was about to fall), the driver of the car behind him, seeing what was about to happen, put his foot on the accelerator and pushed my father’s car through the intersection. An instant later, the tree came crashing to the ground, landing in the very spot where my father’s car had just been. What was very nearly the end of him proved to be no more than a close call, a brief episode in the ongoing story of his life.

  A year or two after that, my father was working on the roof of a building in Jersey City. Somehow or other (I wasn’t there to witness it), he slipped off the edge and started falling to the ground. Once again he was headed for certain disaster, and once again he was saved. A clothesline broke his fall, and he walked away from the accident with only a few bumps and bruises. Not even a concussion. Not a single broken bone.

  That same year, our neighbors across the street hired two men to paint their house. One of the workers fell off the roof and was killed.

  The little girl who lived in that house happened to be my sister’s best friend. One winter night, the two of them went to a costume party (they were six or seven years old, and I was nine or ten). It had been arranged that my father would pick them up after the party, and when the time came I went along to keep him company in the car. It was bitter cold that night, and the roads were covered with treacherous sheets of ice. My father drove carefully, and we made the journey back and forth without incident. As we pulled up in front of the girl’s house, however, a number of unlikely events occurred all at once.

  My sister’s friend was dressed as a fairy princess. To complete the outfit, she had borrowed a pair of her mother’s high heels, and because her feet swam in those shoes, every step she took was turned into an adventure. My father stopped the car and climbed out to accompany her to the front door. I was in the back with the girls, and in order to let my sister’s friend out, I had to get out first. I remember standing on the curb as she disentangled herself from the seat, and just as she stepped into the open air, I noticed that the car was rolling slowly in reverse—either because of the ice or because my father had forgotten to engage the emergency brake (I don’t know)—but before I could tell my father what was happening, my sister’s friend touched the curb with her mother’s high heels and slipped. She went skidding under the car—which was still moving—and there she was, about to be crushed to death by the wheels of my father’s Chevy. As I remember it, she didn’t make a sound. Without pausing to think, I bent down from the curb, grabbed hold of her right hand, and in one quick gesture yanked her to the sidewalk. An instant later, my father finally noticed that the car was moving. He jumped back into the driver’s seat, stepped on the brake, and brought the machine to a halt. From start to finish, the whole chain of misadventures couldn’t have taken more than eight or ten seconds.

  For years afterward, I walked around feeling that this had been my finest moment. I had actually saved someone’s life, and in retrospect I was always astonished by how quickly I had acted, by how sure my movements had been at the critical juncture. I saw the rescue in my mind again and again; again and again I relived the sensation of pulling that little girl out from under the car.

  About two years after that night, our family moved to another house. My sister fell out of touch with her friend, and I myself did not see her for another fifteen years.

  It was June, and my sister and I had both come back to town for a short visit. Just by chance, her old friend dropped by to say hello. She was all grown up now, a young woman of twenty-two who had graduated from college earlier that month, and I must say that I felt some pride in seeing that she had made it to adulthood in one piece. In a casual sort of way, I mentioned the night I had pulled her out from under the car. I was curious to know how well she remembered her brush with death, but from the look on her face when I asked the question, it was clear that she remembered nothing. A blank stare. A slight frown. A shrug. She remembered nothing!

  I realized then that she hadn’t known the car was moving. She hadn’t even known that she was in danger. The whole incident had taken place in a flash: ten seconds of her life, an interval of no account, and none of it had left the slightest mark on her. For me, on the other hand, those seconds had been a defining experience, a singular event in my internal history.

  Most of all, it stuns me to acknowledge that I am talking about something that happened in 1956 or 1957—and that the l
ittle girl of that night is now over forty years old.

  13

  * * *

  My first novel was inspired by a wrong number. I was alone in my apartment in Brooklyn one afternoon, sitting at my desk and trying to work when the telephone rang. If I am not mistaken, it was the spring of 1980, not many days after I found the dime outside Shea Stadium.

  I picked up the receiver, and the man on the other end asked if he was talking to the Pinkerton Agency. I told him no, he had dialed the wrong number, and hung up. Then I went back to work and promptly forgot about the call.

  The next afternoon, the telephone rang again. It turned out to be the same person asking the same question I had been asked the day before: “Is this the Pinkerton Agency?” Again I said no, and again I hung up. This time, however, I started thinking about what would have happened if I had said yes. What if I had pretended to be a detective from the Pinkerton Agency? I wondered. What if I had actually taken on the case?

  To tell the truth, I felt that I had squandered a rare opportunity. If the man ever called again, I told myself, I would at least talk to him a little bit and try to find out what was going on. I waited for the telephone to ring again, but the third call never came.

  After that, wheels started turning in my head, and little by little an entire world of possibilities opened up to me. When I sat down to write City of Glass a year later, the wrong number had been transformed into the crucial event of the book, the mistake that sets the whole story in motion. A man named Quinn receives a phone call from someone who wants to talk to Paul Auster, the private detective. Just as I did, Quinn tells the caller he has dialed the wrong number. It happens again on the next night, and again Quinn hangs up. Unlike me, however, Quinn is given another chance. When the phone rings again on the third night, he plays along with the caller and takes on the case. Yes, he says, I’m Paul Auster—and at that moment the madness begins.

  Most of all, I wanted to remain faithful to my original impulse. Unless I stuck to the spirit of what had really happened, I felt there wouldn’t have been any purpose to writing the book. That meant implicating myself in the action of the story (or at least someone who resembled me, who bore my name), and it also meant writing about detectives who were not detectives, about impersonation, about mysteries that cannot be solved. For better or worse, I felt I had no choice.

  All well and good. I finished the book ten years ago, and since then I have gone on to occupy myself with other projects, other ideas, other books. Less than two months ago, however, I learned that books are never finished, that it is possible for stories to go on writing themselves without an author.

  I was alone in my apartment in Brooklyn that afternoon, sitting at my desk and trying to work when the telephone rang. This was a different apartment from the one I had in 1980—a different apartment with a different telephone number. I picked up the receiver, and the man on the other end asked if he could speak to Mr. Quinn. He had a Spanish accent and I did not recognize the voice. For a moment I thought it might be one of my friends trying to pull my leg. “Mr. Quinn?” I said. “Is this some kind of joke or what?”

  No, it wasn’t a joke. The man was in dead earnest. He had to talk to Mr. Quinn, and would I please put him on the line. Just to make sure, I asked him to spell out the name. The caller’s accent was quite thick, and I was hoping that he wanted to talk to Mr. Queen. But no such luck. “Q-U-I-N-N,” the man answered. I suddenly grew scared, and for a moment or two I couldn’t get any words out of my mouth. “I’m sorry,” I said at last, “there’s no Mr. Quinn here. You’ve dialed the wrong number.” The man apologized for disturbing me, and then we both hung up.

  This really happened. Like everything else I have set down in this red notebook, it is a true story.

  1992

  WHY WRITE?

  1

  * * *

  A German friend tells of the circumstances that preceded the births of her two daughters.

  Nineteen years ago, hugely pregnant and already several weeks past due, A. sat down on the sofa in her living room and turned on the television set. As luck would have it, the opening credits of a film were just coming on screen. It was The Nun’s Story, a 1950s Hollywood drama starring Audrey Hepburn. Glad for the distraction, A. settled in to watch the movie and immediately got caught up in it. Halfway through, she went into labor. Her husband drove her to the hospital, and she never learned how the film turned out.

  Three years later, pregnant with her second child, A. sat down on the sofa and turned on the television set once again. Once again a film was playing, and once again it was The Nun’s Story with Audrey Hepburn. Even more remarkable (and A. was very emphatic about this point), she had tuned in to the film at the precise moment where she had left off three years earlier. This time she was able to see the film through to the end. Less than fifteen minutes later, her water broke, and she went off to the hospital to give birth for the second time.

  These two daughters are A.’s only children. The first labor was extremely difficult (my friend nearly didn’t make it and was ill for many months afterward), but the second delivery went smoothly, with no complications of any kind.

  2

  * * *

  Five years ago, I spent the summer with my wife and children in Vermont, renting an old, isolated farmhouse on the top of a mountain. One day, a woman from the next town stopped by to visit with her two children, a girl of four and a boy of eighteen months. My daughter Sophie had just turned three, and she and the girl enjoying playing with each other. My wife and I sat down in the kitchen with our guest, and the children ran off to amuse themselves.

  Five minutes later, there was a loud crash. The little boy had wandered into the front hall at the other end of the house, and since my wife had put a vase of flowers in that hall just two hours earlier, it wasn’t difficult to guess what had happened. I didn’t even have to look to know that the floor was covered with broken glass and pools of water—along with the stems and petals of a dozen scattered flowers.

  I was annoyed. Goddamn kids, I said to myself. Goddamn people with their goddamn clumsy kids. Who gave them the right to drop by without calling first?

  I told my wife that I’d clean up the mess, and so while she and our visitor continued their conversation, I gathered up a broom, a dustpan, and some towels and marched off to the front of the house.

  My wife had put the flowers on a wooden trunk that sat just below the staircase railing. This staircase was especially steep and narrow, and there was a large window not more than a yard from the bottom step. I mention this geography because it’s important. Where things were has everything to do with what happened next.

  I was about half finished with the clean-up job when my daughter rushed out from her room onto the second-floor landing. I was close enough to the foot of the stairs to catch a glimpse of her (a couple of steps back and she would have been blocked from view), and in that brief moment I saw that she had that high-spirited, utterly happy expression on her face that has filled my middle age with such overpowering gladness. Then, an instant later, before I could even say hello, she tripped. The toe of her sneaker had caught on the landing, and just like that, without any cry or warning, she was sailing through the air. I don’t mean to suggest that she was falling or tumbling or bouncing down the steps. I mean to say that she was flying. The impact of the stumble had literally launched her into space, and from the trajectory of her flight I could see that she was heading straight for the window.